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Calligraphy murals by Said Dokins in Milano and Ibiza.The Bloop Journey

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Huge Site Specific murals by Calligraphy Street Artist Said Dokins

ENTROPY

  • These huge murals address the notions of identity, memory, resilience and entropy as metaphors of today's social turbulence.

As the year is coming to an end, I want to share with you one of the top projects of Said Dokins during 2019: his collaboration with Biokip Atelier, an adventure that took more than two months between Italy and Spain, and positively impacted specific communities in both countries. I’m referring to BLOOP International Proactive Art Festival 2019, usually brought off in Ibiza, and this year for the first time, had an edition in the city of Milan, where the journey began.

AMA. VIA DEL TURCHINO, MILANO

Huge Site Specific murals by Contemporary Artist Said Dokins
Said Dokins @saidokins + Biokip Labs + Via del Turchino residents, AMA, 2019. Photo: Malaka

First Stop. Via del Turchino, a Milan’s suburb located in the area of Calvairate / Ortomercato. There is the Quartiere Ettore Ponti, an example of fascist and racionalist architecture of the late 1930s, that Dokins intervened with 3 murals which reflect the tensions and contradictions of the neighborhood, posing, at the same time, messages of respect, connections, memory and freedom within the community.

Huge Site Specific murals by Calligraphy Street Artist Said Dokins
Said Dokins @saidokins + Biokip Labs + Via del Turchino residents, AMA, 2019. Photo: Andrea Scuratti

Is well known that on the past few years, Said Dokins has undertaken the project Stories of a Word, where he collects key words that he takes from his encounters with local people to develop his proposals of urban interventions. This time, through interviews, reunions, and activities, Biokip and Dokins established a deep dialogue with the community, where they were able to learn about the history of the neighborhood by listening to the stories of the elders, who told them about the disasters of war and fascism, as well as the new experiences that they’re leaving today, young people and kids also shared their dreams and expectations.

Huge Site Specific murals by Calligraphy Street Artist Said Dokins
Said Dokins @saidokins + Biokip Labs + Via del Turchino residents, AMA, 2019.

The result was a word assemblage, that included phrases about the place and the names of the participants, submerged in the palindrome AMA, on the walls of the three of the facades of the residential complex.



Huge Site Specific murals by Calligraphy Street Artist Said Dokins
Said Dokins @saidokins + Biokip Labs + Via del Turchino residents, AMA, 2019. Photo: Andrea Scuratti

“This project is about creating a comfortable place for knowledge and memory. The dialogue with the inhabitants of Via del Turchino, made me think about anecdote and personal stories as a source of knowledge, when a person feels comfortable telling something, they can share very deep information, that in another situation they wouldn’t reveal… the process wasn’t easy, first, they believed that I was another politician of those that promise lots of things, then they realized that it was just about sharing”, comments Said Dokins.

Said Dokins @saidokins + Biokip Labs + Via del Turchino residents, AMA, 2019.
Video: Malaka

PALIMPSESTOS. MILANO DESIGN WEEK

Said Dokins @saidokins, Ethereal 01, 2019. Produced in Biokip Labs

Second stop. The District of Tortona, a neighborhood well-known in Milano for its independent studios of art, fashion, and design. There, Said Dokins took part in the circuit of official exhibitions of the Design Week Milano, with Palimpsestos, a show that looked over the main conceptual and aesthetic concerns of the artist, focused on the performative dimension of writing, the processes of constructing memory through inscription, the resignification of the symbolic, and the relations people establish with public space. The show included a group of unique wooden paintings and audiovisual pieces created especially for the Bloop Showcase in the BLOOP FESTIVAL MILANO, in collaboration with Biokip Atelier, as well as a series of Limited Edition of laser cut wooden calligraphic artworks, never seen before.

Palimpsestos Bloop Showcase. Said Dokins @saidokins

ENTROPY. IBIZA , SPAIN

Huge Site Specific murals by Calligraphy Street Artist Said Dokins
Said Dokins @saidokins , Entropy, 2019. Ibiza, España Bloop Festival 2019

Third Stop. Sunny Ibiza, first home of Bloop Festival. For Edition 2019, Dokins created a great mural that fully represents the concept of entropy, exploring its connections with contemporary society, where chaos and disorder generate new dynamics that redefine the ways we think and act as a group and towards the environment we share.

Huge Site Specific murals by Calligraphy Street Artist Said Dokins
Said Dokins @saidokins , Entropía, 2019. Ibiza, España Bloop Festival 2019

The creation process itself was entropic, because the formal and compositional elements appear in the beginning as a complete chaos: strong colors and emotional strokes, in contrast with the concentric circles nestled, generating movement. The contents of the mural came from the investigations of the artists in the web on the concept of reality.

Said Dokins @saidokins , Entropía, 2019. Ibiza, España Bloop Festival 2019
Video: Lara Carretero Músic: PineApple Crocodile.

Said Dokins among the Top 100 Most Creative Mexicans in the World / FORBES MAGAZINE

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Mexican creativity on the top

In the 85th edittion (December 2019-January 2020), Forbes Mexico magazine reveals the 100 most creative Mexicans in the world of 2019, to recognize the work of woman and men who, from different fields of creation - arts, architecture, music, dance, literature, entertainment, gastronomy, street art, among others-, have managed to stand out internationally, breaking molds and opening new tracks. 
Said Dokins is part of that list because of the extraordinary work he developed this year, painting huge walls in different cities around the world, to establish conversations with diverse communities through his calligraphic landscapes, compositions where de poetry of each sign goes beyond its meaning to open multidimensional reflections.

Said Dokins: The Mexican who takes words to the walls of the world. #LosMexicanosMásCreativos 



Meet Said Dokins, the Mexican artist who deals with politics, permissions and society to take words and public art to the walls around the world.
Said Dokins #TheMostCreativeMexicans

Words that take walls and define their inhabitants

Said Dokins/ Urban Artists.
Painted 3 murals in London as part of the concept “Three Flowers for London”. Has painted murals in places like Italy, South Africa and Norway. His work employs a calligraphic style developed with accentuated geometric forms, and behind, there are the words, rumors and issues of contemporary communities.

Said Dokins found a way to capture the essence of towns in their streets, acknowledging their problems and trends. He does it through a visual reinterpretation of words on big murals, through a calligraphy which combines styles from all over the world.
Beyond the first visual impact that his pieces might cause in a pedestrian or in a centennial while going down with his thumb through his Instagram’s feed, each project address, with different elements, the characteristics of the environment where it’s done.
Calligraphy mural Said Dokins and Mantra
Said Dokins (@saidokins) + Mantra (@mantrarea) . Ofrenda de los animéros. San Juan Tlihuaca. Día de Muertos 2019. @_urbana_mx

Said Dokins @saidokins + Biokip Labs + Via del Turchino residents, AMA, 2019. Photo: Malaka

His strokes can be found in such diverse latitudes, as in San Juan Tilcahuaca, Azcapotzálco (Mexico City) or in the neighborhood of Calvairate, in Milano, Italy.
In late 2018, he intervened a storehouse in Stavanger, south of Norway, for which he was inspired in one of the most controversial phenomena nowadays: migration, subject he tackled from the perspective of those who arrive, and also, from those who host them.
The result was a huge mural where it could be read the word “Naerhet” (closenessin Norwegian), a concept that serves as a meeting point between locals and foreigners.
Calligraphy Mural by Mexican Artist Said Dokins In Stavanger Norway
Said Dokins @saidokins NÆRHET, 2018. Stories Of A Word Series. Nuart, Stavanger, Norway. Photo: @leodluna
Generally, the raw material is the context: how people relate to their own surroundings, the impressions that come to me while being in these places… the first hit that pops up of what is there in the city”.
This procedure changes according to the site where he works, but explains to a large extent, the creative process of the artist, where there are no coincidences, and that has a lot to do with one of the most frequent urban expressions: graffiti.
Dokins considers that creativity is “a moment that generates a thread towards knowledge. Is an interrogation, beyond methodology, that has the ability to produce knowledge”.
For this Mexican artist, next stop is the United Arab Emirates, where he’s preparing an interactive installation for the Sharjah Calligraphy Biennial, the most important event of its kind in the planet. Besides that, he’s working in a new conceptual phase of his work. 

Best of 2019: Top 10 Art Projects of the Year / Said Dokins

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Ethereal, Said Dokins Milano design week
Said Dokins, Ethereal. Milano Design Week 2019

WELCOME 2020!

Take a look at the top 10 most hallucinating pieces made by Said Dokins during 2019, a great chance to know his work, enjoy!

FEBRUARY / CAPE TOWN / SOUTH AFRICA

Salt River / District 6. Stories Of A Word

Site Specific Art by Said Dokins in Cape Town, Calligraphy and calligraffiti

Cape Town

Said Dokins @saidokins, Salt River / District 6. Stories Of A Word. Cape Town. For International Public Art Festival @ipaf_festival_sa South Africa

A mural painted in Cape Town, South Africa, for the International Public Art Festival dedicated to the people from District 6, who were displaced from their home because of the apartheid, and are still struggling to recover their original place.

MARCH / CENTRAL DE ABASTOS / MEXICO

Struggling Women. The Head of Coatlicue

Street Art Said Dokins

ONU MUjeres

Said Dokins @saidokins, Mujeres luchadoras. Cabeza de Coatlicue, 2019. ONU Mujeres, #HeForShe, Central de Muros, CDMX, Mexico.

Struggling Women. The Head of Coatlicue is a mural of around 300m2 in the Central de Abastos in Mexico City, one of the biggest markets in the world, a homage to the women who struggle every day to open new spaces, sponsored by UN Women and the campaign HeForShe, and Central de muros.

MARCH / MILANO / ITALY

AMA. Stories Of A Word


Contemporary Art Said Dokins Mural

Contemporary Art Said Dokins, Public Art

Said Dokins @saidokins + Biokip Labs + Via del Tirchino residents, AMA. Historias de una palabra, 2019. Bloop Experience. Milano, Italy.

AMA. Stories of a Word, a 3 massive murals intervention in Via de Turchino, Milano, framed by Bloop Festival Milano, where the artist included the stories of the community, experiences of war and fascism, but also their dreams and hopes towards the future, to create the palindrome AMA, a word that contains the tensions of the lived stories.

APRIL / MILANO / ITALY

Palimpsestos

Contemporary Art Said Dokins, Public Art

Contemporary Art Said Dokins, Public Art

Said Dokins @saidokins, Palimpsestos. Produced by Biokip Labs. Bloop Showcase. Milano, Italy.

Exhibition Palimpsestos, during the Design Week Milano, the show gathered works elaborated in collaboration with Biokip Atelier, centered in the reflection about the process of conformation of memory through inscription, the resignification of the symbolic and the relation of people with the public space.

MAY / IBIZA / SPAIN

Entropy

Contemporary Art Said Dokins, Public Art

Said Dokins @saidokins , Entropy, 2019. Ibiza, Spain, Bloop Festival 2019

Entropy, an spectacular mural, painted in Bloop Festival Ibiza, that explores the concept of entropy in relation with contemporary society: chaos and disorder as origin, as a force that generates new dynamics, redefining the way we conceive and act in the spaces we share.

JUNE / SAN LUIS POTOSI / MEXICO

Runaway Writings. Retrospective exhibition

Installation Art by Said Dokins. Escrituras en Fuga

Vivan las fuerzas revolucionarias armadas Said Dokins-Installation Art
Installation Art Narcopolítica Said Dokins

Installation Art Narcopolítica Said Dokins

Installation Art Palimpsestos Said Dokins

Installation Art Palimpsestos Said Dokins

Installation Art Palimpsestos Said Dokins

Installation Art Traslaciones Said Dokins

Said Dokins @saidokins, Runaway Writings, 2019. Centro de las Artes San Luis PotosÍ. Photos: Leonardo Luna

Retrospective exhibition “Runaway Writings” in the Center of Arts of San Luis Potosí. The show, curated by Claudia de la Garza, brings together iconic works of the artist, with pieces made expressly for the occasion, including installation, light art, painting, sculpture and pieces of the series Heliographies of Memory, in collaboration with photographer Leonardo Luna; is a trip through Dokins' main conceptual and formal explorations, revealing his multifaceted character and his deep reflections about inscription as a place of encounter and tension, conflict and community.


AUGUST / SAN LUIS POTOSI / MEXICO

El testigo. The Witness

Mural Art El testigo Said Dokins

Mural Art El testigo Said Dokins

Mural Art El testigo Said Dokins


Said Dokins @saidokins, El Testigo, 2019, Former Penitentiary in San Luis Potosí. Mexico

“The witness. Stories of a word”, mural intervention on the central tower of the CEART San Luis Potosí, that used to be the watchtower when the place served as a penitentiary. Dokins intertwines the stories of prisoners, custodians, psychologists, even executives, to reinterpret them with his own style, rewriting these events and accumulating them in a multitude of strokes forming a texture that surrounds the tower.

OCTOBER / LONDON / UNITED KINGDOM

Three Flowers for London

Mural Art London Said Dokins

Mural Art London Said Dokins

Mural Art London Said Dokins


Said Dokins @saidokins, Three Flowers for London, 2019. London UK

“Three Flowers for London”, a project carried out in Central London, Brick Lane and Hackney, where Said used poetry and his fantastic geometric calligraphic compositions to draw attention on the climate change.

NOVEMBER / SAN JUAN TLIHUACA / MEXICO

Ofrenda de los animeros

Mural Art Said Dokins y Mantra
Mural Art Said Dokins y Mantra

Mural Art Said Dokins y Mantra

Said Dokins (@saidokins) + Mantra (@mantrarea) . Ofrenda de los animéros. San Juan Tlihuaca. Día de Muertos 2019. @_urbana_mx

“Ofrenda de los animeros”, is an offering-mural made in collaboration with Mantrea during the festivities of the Day of Deaths, an important celebration in Mexico, in the community of San Juan Tlihuaca, in Mexico City. Post Mortem Festival, organized by Urbana MX.

DECEMBER / MEXICO

Memoria canera

Mural Art Said Dokins

Said Dokins @saidokins, Memoria canera, 2019. Maximum Security Penitentiary for High Impact Crimes, Morelia, Michoacán

“Memoria canera” of the series Constellations. Mural intervention in the Maximum Security Penitentiary for High Impact Crimes of Morelia, Michoacan, based on the testimonies of the interns.

SPAIK, CIX AND SAID DOKINS CREATE HUGE MURALS IN A MAXIMUM SECURITY PENITENTIARY

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High Impact! The Largest Penitentiary Murals in Mexico’s History

Said Dokins Mural

Dear friends,

This time, we want to present to you a very special work for us because of the important impact it had in the community we work with, as well as for the questions it opens regarding penitentiary politics and our ways our society administers justice. Said Dokins, Cix and Spaik take us to a place far away from our daily sigh and time passing. It is a prison, that institution raised by the State as a place of exception, where social logics are interrupted, exacerbated, transformed; a punishment space that fulfils the double function of confining those who are inside, to isolation and punishment, and threatening those who are outside. 

Lockup Poetics.

Urban Artists entered a prison and turned it into a participative creation lab


We are in the CE.RE.SO. (Centre of Social Reinsertion) of Maximum Security for High Impact Crimes of Morelia, Michoacán. Around us, the landscape is composed by solid inextricable walls, kilometres of bars and wire fences, and gray overwashed uniforms that seem to constrain those who wear them.

CE.RE.SO. (Centre of Social Reinsertion) of Maximum Security for High Impact Crimes of Morelia, Michoacán. Mexico


“Puedes Volver a Volar” (You can Fly Again) by Spaik


“Estado Mental” (Mental State) by Cix

This is the place where the three renowned Mexican artists bursted in to disrupt the space and the dynamics of its inhabitants for some days, cancelling the disciplinary routine. Strokes, colour, words, participation, evocation and imagination, became the key elements in the relationships of collaboration established by the artists with the People Deprived of Freedom (PDF) on the production of three great murals: “Puedes Volver a Volar” (You can Fly Again) by Spaik, “Estado Mental” (Mental State) by Cix, and “Memoria Canera” (Memories from Jail) by Said Dokins, the largest penitentiary murals in Mexico, an intervention without precedents in the country because of its dimensions. 


“Memoria Canera” (Memories from Jail) by Said Dokins @saidokins

To develop “Memories from Jail”, Dokins started by establishing dialogues with the PDF who collaborated with him, gathering phrases, experiences, words used frequently in the prison’s daily life, but also poems, long writings, tales, feelings… This fabric of words, life fragments, memories and shared emotions, was the base on which he traced a geometric figure symbolizing the crossroads we face in life, an unexpected concatenation of experiences that only make sense within the context of surveillance and control. In this piece, humour and irony, desires of freedom and justice, blend with the bitter pills of lockup life. 

According to the artist, “Memories from Jail” is a reflection about identity, memory and the lives lived in jail. Underground culture that emerges in there, from the language, that includes the slang used in the place, the nicknames of the people, until the deepest thoughts about confinement and freedom.


Said Dokins Mural in Prison


We hope you enjoy this remarkable work that leads us to reflect on the importance of culture as a human right and the great potential of artistic practices to transform societies, as it points at the importance of install cultural policies in penitentiary contexts.



POÉTICAS DEL ENCIERRO.

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Los artistas mexicanos Spaik, Said Dokins y Cix entran a una prisión y la transforman en un laboratorio de creación participativa

Said Dokins @saidokins, “Memoria Canera”. CE.RE.SO. de Alta Seguridad para Delitos de Alto Impacto de Morelia, Michoacán



Personas Privadas de la Libertad y artistas colaboran para crear las intervenciones murales penitenciarias más grandes del país en el CERESO, Primer Penal de Alta Seguridad para Delitos de Alto Impacto.

En Morelia, Michoacán, al norte de México hay un lugar fuera del alcance de la mirada y del transcurrir del tiempo cotidiano. Se trata de una prisión de alta seguridad, esa institución erigida por el Estado como espacio de excepción, en donde las lógicas sociales se interrumpen, se exacerban, se transforman; espacio punitivo que cumple la doble función de aislar y castigar a quienes están adentro y amenazar a quienes están afuera. Los artistas mexicanos Spaik, Said Dokins y Cix nos llevan a recorrer este lugar de manera diferente, a través de sus intervenciones.

 CE.RE.SO. de Alta Seguridad para Delitos de Alto Impacto de Morelia, Michoacán

Nos encontramos en el CE.RE.SO. de Alta Seguridad para Delitos de Alto Impacto de Morelia, Michoacán. A nuestro alrededor, el paisaje se compone por muros sólidos e inextricables, kilómetros de hostiles rejas y alambrados, uniformes grises y deslavados que parecen constreñir a quienes los usan. Este es el lugar en el que los tres reconocidos artistas urbanos irrumpieron para trastocar el espacio y las dinámicas de sus habitantes, suspendiendo el devenir de la rutina disciplinaria.

 CE.RE.SO. de Alta Seguridad para Delitos de Alto Impacto de Morelia, Michoacán
Sus trazos, colores, palabras, la participación, las evocaciones y la imaginación se convirtieron en elementos clave en las relaciones de colaboración que establecieron los artistas con las personas privadas de su libertad (PPL) para la realización de tres murales de inmensas proporciones: “Puedes Volver a Volar” de Spaik, “Estado Mental” de Cix, y “Memoria Canera” de Said Dokins, los murales penitenciarios de mayores dimensiones en México, una intervención sin precedentes en la historia de nuestro país. 
José María Zapién en rueda de prensa
José María Zapién, una de las personas privadas de la libertad (PPL) que participó en el proceso, aseguró: ‘es la segunda ocasión que participo en un mural, la primera vez fue en un concurso que convocó la Comisión Nacional de Derechos Humanos (CNDH) y el trabajo terminó publicándose en un libro’. Comentó que esta experiencia ayudó a sensibilizar a sus compañeros y, aunque en un inicio fueron 29 participantes, en el proceso cada vez eran más los que se querían sumar. 

Calligraphy Mural in Prison Said Dokins
Said Dokins @saidokins, “Memoria Canera”. CE.RE.SO. de Alta Seguridad para Delitos de Alto Impacto de Morelia, Michoacán
Para el desarrollo de “Memoria Canera”, Said Dokins comenzó por establecer diálogo con las PPL con quienes colaboró, recopilando frases, experiencias, palabras usadas cotidianamente dentro del penal, pero también poemas, escritos largos, cuentos, sentimientos… Este entramado de palabras, fragmentos de vida, recuerdos y emociones compartidas, constituyó el fondo sobre el cual trazó diversas figuras geométricas y simbolos gráficos de flechas que representan los momentos favorables y adversos que juegan con la existencia humana. Una concatenación imprevista de experiencias que solamente cobran sentido dentro de ese contexto de vigilancia y control. En ella, el humor y la ironía, los anhelos de libertad y de justicia, se mezclan con los tragos amargos de la vida en el encierro. En palabras del artista:
‘Memoria Canera’, es una reflexión sobre la identidad, la memoria y la vida que se vive en la cárcel. La cultura subterránea que se genera desde el lenguaje, que va desde la jerga que se usa en el lugar, los apodos de los personajes, hasta las reflexiones más profundas de encierro y de libertad.

Cix, “Estado Mental”. CE.RE.SO. de Alta Seguridad para Delitos de Alto Impacto de Morelia, Michoacán
Por su parte, el artista Cix con la pieza ‘Estado Mental’ se refiere al aspecto psicológico de la privación de libertad, donde por medio de un lenguaje simbólico evoca sentimientos, emociones y percepciónes sobre la vida, la condena, el tiempo y la muerte; su trabajo muestra una escena donde dos personajes se encuentran en una situación onírica, algunos de los símbolos, explia el artista: ‘representan la desesperación por estar encerrado, el pensamiento constante de muerte, la incertidumbre, pero también la capacidad de cambio, de transformación y el parecido que tenemos con nuestro animal espiritual, trascender es necesario para superar, para renacer’.


Spaik, “Puedes Volver a Volar”. CE.RE.SO. de Alta Seguridad para Delitos de Alto Impacto de Morelia, Michoacán

En el mural titulado 'Puedes volver a volar' Spike, a través de formas y colores que remiten al imaginario latinoamericano, reflexiona sobre las posibilidades de integración a la sociedad de las personas que han sido condenadas por infringir la ley penal. El águila, símbolo de identidad nacional, es transformada en una fiesta de color.

Los trabajos colaborativos de estos artistas nos llevan a reflexionar sobre el derecho a la cultura y el potencial de transformación social de las prácticas artísticas; al tiempo que señalan la importancia de la implementación de políticas culturales en contextos de encierro. Por esta razón, Homebox, equipo que ha colaborado para llevar a cabo este proyecto prepara un documental enfocado a la sistematización de esta experiencia.

Said Dokins y compañía


THE HIDDEN WORDS

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Said Dokins Calligraphy - Calligraffiti

Even if the current health contingency situation keep us indoors, working at home, I think it’s important that we keep together, connected, and supporting each other, as we all make our way through these challenging times.

Although my next outdoor projects are temporarily postponed, this time of confinement have been an opportunity to focus in my work indoors, in a more introspective and intimate manner, during my Art Residence in Ugly Food House, a cultural space dedicated to print methods experimentation.

Calligraphy Calligraffiti by Said Dokins. Hidden Words Covid-19

THE HIDDEN WORDS OF PANDEMIC CALLIGRAPHY

A BLUEPRINT OF ART IN ISOLATION

As the situation demands, we have planned a series of online activities, such as virtual visits to the studio, conversations through Instagram Live, transmissions of the new artworks teasers, and participations in friends and partners online activities, among others, so we can keep in touch, at least virtually, maintaining an open communication with the cultural and artistic community over the world. This way, we can share and exchange information, and support each other to overcome this crisis together! Over the upcoming weeks I'll continue sharing with you my current artwork and other materials produced during this residence.

Calligraphy by Said Dokins


Ghosting Series.

Hidden Words 01

What remains invisible

Here, I present you my first Print Edition: 'Ghosting Series. Hidden Words 01', the first of a series of three Limited Edition Fine Art Prints. This new collection, combines conceptual art, printmaking and calligraphy, to go deeper on the concept of “Ghosting”.
The concept of “Ghosting” addresses the notion of 'phantasmagorie' of the late eighteenth century, a series of optical illusions applied in theatres to create horror atmospheres.

Calligraphy by Said Dokins


If we think of contemporary society, phantasmagoria would appear as that hidden aspect of the illusion of progress. Following the German philosopher Walter Benjamin, it seems that History shows us that there is no way to repair the ruins that we are leaving behind through time, and that concealment, that denial of the remains, is what appear in reality in the form of a ghost.
The Covid-19 pandemic global scenario unveil the promises of a worldwide community; the closing borders, fascists discourses and xenophobia popping out everywhere, let the falseness of this expectations uncovered.

Said Dokins @saidokins Ghosting Series. Hidden Words (fragment). 2020 Artist In Residence Ugly . Food House

This first edition, 'Ghosting Series. Hidden Words 01', is a large 4 layer screenprint on 100% fine cotton paper. Stirred in with metallics, matts, glosses, and transparencies, this piece invites the viewer to interact, to move around and look closer; to reveal its hidden textures, layers, and messages.

Available to purchase until April 5th with a special price: https://bit.ly/Ghosting01
More info: uglyfoodhouse@gmail.com

Super close Up to the chop guarantees the production of each piece at Ulgy Food House. Photo: Leonardo Luna
Said Dokins @saidokins Ghosting Series. Hidden Words (fragment). 2020 Artist In Residence Ugly . Food House

Calligraphy Art In Times Of Coronavirus (Update -COVID-19 cases news tips)

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Calligraffiti Said Dokins

THE HIDDEN WORDS OF PANDEMIC CALLIGRAPHY
A BLUEPRINT OF ART IN ISOLATION

WITH ZEE OF WEAPON

Collaboration with @elisabettariccio for #togetherisolation in @gama_crea

I

While I work on this photograph, my sister is at the New York Airport, with three flights canceled and unable to return to Mexico.
To get to the airport, every time she tries to fly, she have to go through Manhattan, the city now turned into Zombie Apocalypse

II

Our Latin alphabet added the Greek ζ (dseda), which in turn came from the Phoenician Zai and which in Aramaic means 'weapon’.

III

The current situation of health contingency makes us think of the global scenario given by the Covid-19 pandemic, where the failure of the idea of ​​community is evident. The border closings are no longer just for marginalized communities, the speeches of xenophobia and fascism that we have been dragging are sharpening and are cynically shown by all parties, the hypocritical security measures that expose the falsity of an expectation of global well-being and the acute economic crisis that it implies for the majority, reveal the political instrumentalization of the pandemic.

IV

Following the German philosopher Walter Benjamin, it seems that History shows us that there is no way to repair the ruins that we are leaving behind through time, and that concealment, that denial of the remains, is what appear in reality in the form of a ghost.

V

In this image, I wanted to represent the letter zee, as the record of ruthless and ghostly movements.

VI

My sister finally manages a flight, she will be quarantined at my mother's house, while my mother will be accompanying my grandfather, who has to use an oxygen tank.

VII

Haze in our heads

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COVID-19 UPDATE, NEWS, CASES:

#saidokins #calligraphy #sitespecificart #artinstallation #publicartfound #installationart #contemporaryart#togetherisolated SARS-CoV-2

New Limited Edition Calligraphy Fine Art Print. Artists Said Dokins

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calligraophy and Calligraffiti art by the artist Said Dokins.

Hidden Words 02
Ghosting Series

Limited Edition Fine Art Print
Special Pre Sale
Collaboration with Ugly Food House
Special price available from September 24th to October 4th, 2020


PURCHASE NOW!


New Limited Edition Calligraphy Fine Art Print. Artists Said Dokins

Hidden Words 02.
Ghosting Series. 2020

7 layer screenprint on 100% cotton paper (Sommerset 250gms)
Deckled edges
55.5 x 75 cm
Edition: 10
2020
Printed @uglyfoodhouse 2020
All Artworks and Prints come with their own Certificate of Authenticity, signed, dated and numbered by Artist & Ugly Food House Master- Printmaker

Contemporary Art Installation by the mexican artist Said Dokins

About Hidden Words 02, Ghosting Art Series

'Ghosting Series: Hidden Words' explores movement and language with the techniques and science of printmaking. 'Hidden Words 02' experiments more with the concepts, colors, and transparencies of the materials; weaving the visible and invisible of the Ghosting technique created by master Dokins.

The calligraphy over and under-lays in between each other, finely registered so the viewer's eye can move through the piece seamlessly. To experience the piece in full, the interaction of the viewer and the piece reveals hidden layers from different perspectives and reflections of light. It's the interaction between the viewer and the piece what brings each piece to life.

Ugly Food House is an experimental, Fine Art, printmaking, and design studio now based in Los Reyes, La Paz, State of Mexico. It`s a home where international artists and designers are invited to create a body of artworks, limited editions, and products, experimenting with the concepts and techniques of Fine Art printmaking.
Ugly Food House

'Ghosting Series' addresses the notion of 'phantasmagory' of the late eighteenth century, a series of optical illusions that referred to horror. If we think of contemporary society, phantasmagoria would appear as that hidden aspect of the illusion of progress. It seems that history teaches us that there is no way to repair the ruins that we are leaving through time and that concealment, that denial of the remains is what appear in reality in the form of a ghost.

Said Dokins

Calligraphy and calligraffiti Set by the mexican street artist Said Dokins





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